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story:A Delhi University girl follows her father’s footsteps and decides to become a spy in Pakistan. It’s not just the sacrifice of a life full of promises, but also the end of basic securities. This is a tradition she has picked in her house of Kashmiri patriots. Somewhere in the middle of being a vulnerable wife and a trained agent, she is walking the razor’s edge. One mistake and her cover is blown. What is even more scary is that she’s slowly losing out to her emotions, and it could cost her dearly.

review:
This is 1971. The diplomatic relationship between India and Pakistan is tense because of Mujibur Rahman’s activities in East Pakistan. The two countries are on the brink of a war and information is their most lethal weapon. Sehmat Khan (Alia Bhatt) is married in a family of high-rank Pakistani army officers. Her assignments include trespassing the uncharted territories and making key information available to the Indian government.
Based on Harinder Sikka’s book Calling Sehmat, Raazi is an account of the life of Indian agents of that time. Though the focus is on Sehmat, director Meghna Gulzar ensures that Raazi gives us a peek into the dangerous life other agents of the time led.
*Alia Bhatt’s Raazi co-star Vicky Kaushal reveals fun things about the actor
After a couple of initial scenes between Hidayat Khan (Rajit Kapur) and Khalid Mir (Jaideep Ahlawat), in which they document the generalised sentiments in India during that period, the focus shifts to Alia Bhatt, and she soon takes the charge. While Meghna keeps it simple by not going overboard and showing the agents in the most human way possible, Alia gets the mannerism of a conflicted agent right. Together, they embark on a journey where you understand the meaning of being behind enemy lines. It’s not your life, but it could be someone you know.

Alia’s Sehmat is far from the glamourised version of spies you usually find in Hindi films. She is gritty yet tears up frequently. She blinks before the opponent and acts faster than expected. She is lethal, but it’s not in her habit. Like other girls of her age, she also has desires, but they don’t dilute her determination. Her transformation is not dramatic, but a natural progression in dangerous circumstances.

*Is ‘Raazi’ the most challenging role for Alia yet?
You remember Talvar? Meghna concentrated on getting to a conclusion through a conversation. She presented her narrative through dialogue between all the parties. There wasn’t any definitive theory, at least in the beginning. In a way, she adopts a similar strategy in Raazi: She places her lead in adverse situations without making anyone the villain. She lets us take sides.